![]() Read the insights of the cinematographers, and explore the results below. The FX3 was the main and only camera on set, and it was paired with the MasterBuilt lenses. The goal was to produce a film that looks like a high-budget project, but with an affordable camera. If you compare the specs of the FX3 and FX6 they aren't worlds apart, but if you then consider the form factor of the FX3 - which is tiny - it certainly has its place. The short film Get Away was shot entirely with the Sony FX3. ![]() The Sony FX3 has got lost in the fray a little, which is a shame as it's such a brilliant camera. from 25.00 USD Universal Lens Support Kit for LWS 15mm Rods. Alternatively, the beloved Sony a7S III acts as a hybrid body, albeit one heavily leaning towards video. For hand-held videography, it seems to me the focus on which camera to buy has gone one of two ways: the FX3's big brother, the FX6, which is clearly more of a "professional" body for cinematography. I think this the fault of Sony, which is a bizarre situation to be in. is pleased to announce the newest addition to the brands prestigious Cinema Line the FX30 (model ILME-FX30). LOS ANGELES, CA Septem Sony Electronics Inc. Sony Electronics Expands Cinema Line with New 4K Super 35 Camera for Future Filmmakers. ![]() Mattias Burling would more or less argue, yes, it is. The standard ISO range for the FX3 is 80 to 102,400. As the most compact model in the Cinema Line, the FX3 is not only the smallest and lightest, but it also features a design that eliminates the need for a cage. However, is that selling it short? Is calling the FX3 a B-cam not appreciating its full potential? The compact, lightweight setup allows for high-end videography, with the newest spec features, and is said to combine the best fo the cinema line and the Alpha systems in Sony's catalog. The Sony FX3 has undoubtedly been a popular choice for cinematographers and videographers as a B-cam, which is more or less what it has been pitched as.
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